Pol Pi
ECCE (H)OMO

To pass from one body to another, from one language to another, from one hi-story to another. ECCE (H)OMO is a desire to reflect in action on the notion of inheritance in dance through an interpretation of the dance cycle Afectos Humanos by German choreographer Dore Hoyer (1911-1967). This cycle created between 1959 and 1962 is composed of five short solos. Five dances for five affects: Ehre/Eitelkeit (Pride/Vanity), Begierde (Desire), Hass (Hate), Angst (Fear), Liebe (Love).

I encountered these dances for the first time six years ago, in São Paulo. In a 1967 video, we see Dore Hoyer dance the Afectos Humanos for a television show. There starts for me an investigation on this artist. I discover that she committed suicide shortly after this recording, that she danced for Mary Wigman, that she left behind her a multiple work, composed mainly of solos, and that she still remains today a marginal figure of German dance.

A few years later, I began to learn on my own the five solos that make up the cycle Afectos Humanos. Later, in order to dance them in front of an audience, I worked with the choreographer Martin Nachbar, authorized to transmit them to me. A long way for these gestures to become mine, to find my own dance within hers. I understood that if I could not do everything I wanted with these dances, nothing would stop me from being who I wished. To embody the dances of Dore Hoyer is not for me a matter of a restitution, but rather that of an investigation which does not seek for closure.