Massimo Fusco
+ More info- Live performance
- Gare Saint Sauveur
- 1h
- Free on reservation
- UTOPIA - lille3000
Corps sonores
CORPS SONORES is a sound installation that offers participants an immersive experience that takes us back to our own bodies while we listen.
The choreographer and masseur Massimo Fusco and the dancer Fabien Almakiewicz invite the audience into an enveloping sound environment and offer a choreographic massage to those who want it. Everyone is then invited to listen to a series of recordings on headphones which, taken together, form an intimate collection of body stories. These stories take us back to our own stories, our own intimacy. An experience that leads us to reconsider our relationship to time, space and listening to our inner and outer environment and invites us to enjoy this moment of letting go.
Accessibility information:
spoken texts in French, distribution of headphones, seated audience
Biography(s)
French-Italian dancer and masseur born in 1986, lives in Paris. Massimo Fusco trained in contemporary dance at the Conservatoire National Supérieur de Musique et de Danse de Paris where he studied contemporary dance, improvisation, composition, anatomy, music and dance history. He has performed in projects by Jean-Claude Gallotta at the Centre Chorégraphique National de Grenoble, Annabelle Bonnery & Francois Deneulin, Hervé Robbe at the Centre Chorégraphique National du Havre, Sarah Crépin & Etienne Cuppens, Joanne Leighton at the Centre Chorégraphique National de Belfort, Clédat & Petitpierre, Alban Richard at the Centre Chorégraphique National de Caen, Mélanie Perrier, Christian Rizzo at the Centre Chorégraphique National de Montpellier, Dominique Brun and Gisèle Vienne. In the cinema, he danced in the film Le Bal des actrices directed by Maïwenn, and was one of the characters in the film Si c’était de l’amour directed by Patric Chiha, which was in the official selection and won a Teddy Award at the Berlinale 2020 film festival. As a state-qualified dance teacher, he is invited to give workshops and professional trainings for the dancers of the Ballet Preljocaj, the Ballet National de Marseille / (LA)HORDE, the DCA / Philippe Decouflé company, as well as at the Montpellier Danse festival and the Centre National de la Danse. He has been developing artistic practice workshops for more than ten years in France and in Europe for children, teenagers and adults in various contexts. In addition to this solid experience, in recent years he has been working on ambitious choreographic projects in medical and social structures where research, experimentation, sharing and “being together” are the focus of particular attention.
He became interested in performance art and obtained a university diploma in art, dance and performance at the University of Besançon. The transversality offered by this artistic field allows him to see it as a possible field of action. He then deepened his relationship with writing and composition by using improvisation as a motor for creativity. Recently certified as a Tui Na massage practitioner, he undertakes to link artistic practices and somatic methods in an immersive sound installation, Corps Sonores.
Credits
Distribution
Creation: Massimo Fusco
Interpretation: Fabien Almakiewicz
Design of the sound bath: Vanessa Court
Composition of the sound spots: King Q4
Set design: Smarin
Production and distribution: Manakin / Lauren Boyer, Leslie Perrin and Adèle Tourte
Acknowledgements: Morgane Diedrich and Mai Ishiwata
Credits
Production: Corps Magnétiques.
Coproduction: 3 bis f, Lieu d’arts contemporains – artists’ residences – Art Centre in Aix-en Provence; Creative residency at the Domaine de Kerguéhennec – Morbihan department; Fondation Royaumont. With the support of the Sacem and the patronage of the Daniel and Nina Carasso Foundation. As a strategic sponsor of the Royaumont Foundation, the Daniel and Nina Carasso Foundation, under the aegis of the Fondation de France, supports its artistic creation projects, the emergence and accompaniment of its artists as well as the reinforcement of cooperation between the human sciences and artistic practices; Chartreuse de Neuville – Centre Culturel de Rencontre; CCNN – Centre Chorégraphique National de Nantes, as part of the studio reception; Project that benefited from the “La Fabrique Chaillot” residency scheme – Chaillot – Théâtre National de la danse (Paris). With the support of the Ministère de la Culture – Direction générale de la création artistique; the Maison de la Culture d’Amiens; Danse Dense in Pantin; l’échangeur – CDCN Hauts-de-France; the Rencontres chorégraphiques internationales de Seine-Saint-Denis and the TPE de Bezons – scène d’intérêt national art et création pour la danse.
Tour 2022
18 June 2022 at the Maison de la Culture in Amiens as part of the festival La Cité (éphémère) de la danse
From 17 September to 8 October 2022 with performance on Saturday 24 September & Saturday 1 October 2022
& Saturday October 8th 2022 at the SILO U1 of the Échangeur CDCN as part of the festival C’est comme ça ! 2022
26 November 2022 at the Musée de Cluny in Paris
With the support of Onda – Office national de diffusion artistique
